What makes romeo unique
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As with Shakespeare's greatest plays and I'm thinking of Hamlet , first and foremost , you can find myriad themes throughout, without any one notion seeming to be the point the playwright was trying to make. It's embarrassing to say this, but it's just life, you know.
A great story ripped from literary sources and fleshed out with insights into the thoughts, feelings and behaviour of people drawn from Shakespeare's own observations. Romeo and Juliet is a terrifically well constructed, felt and written play. Probably the first drama in which it all came together perfectly for Shakespeare. His first truly great play. He'd write many more even greater, but never another like Romeo and Juliet. Perhaps because it's a great play by a young man likely still in his twenties when he wrote much of it.
He would never in a later play be quite so exuberantly self-righteous in his proclamation of right. He would never again be so innocent in tragedy: Romeo and Juliet are the only tragic figures I can think of in Shakespeare's canon who are not done in by their own fatal flaws. Unless love is a character flaw. But in Romeo and Juliet Shakespeare is several years short of that kind of cynicism.
In fact, you could map out the play as detailing Shakespeare's maturation. Something of this sort is done in the film Shakespeare in Love, which shows events in the struggling young bard's life that helped inspire the play. It's all made up of course and at least one of my friends considers the film a travesty. But, with the majority of film-goers, I think it captures the spirit of Romeo and Juliet itself. The Friar then offers a course of action to follow, and Romeo becomes calm.
Later, when Romeo receives the news of Juliet's death, he exhibits maturity and composure as he resolves to die. His resolution is reflected in the violent image he uses to order Balthasar, his servant, to keep out of the tomb:. The time and my intents are savage-wild, More fierce and more inexorable far Than empty tigers or the roaring sea.
After killing Paris, Romeo remorsefully takes pity on him and fulfills Paris' dying wish to be laid next to Juliet. Romeo notes that both he and Paris are victims of fate and describes Paris as: "One writ with me in sour misfortune's book" V. Romeo is also filled with compassion because he knows that Paris has died without understanding the true love that he and Juliet shared.
Romeo's final speech recalls the Prologue in which the "star-cross'd" lives of the lovers are sacrificed to end the feud:. O here Will I set up my everlasting rest And shake the yoke of inauspicious stars From this world wearied flesh. Previous Scene 3. Though in most situations the lovers uphold the traditions of Christianity they wait to marry before consummating their love , their love is so powerful that they begin to think of each other in blasphemous terms.
The maintenance of masculine honor forces Romeo to commit actions he would prefer to avoid. But the social emphasis placed on masculine honor is so profound that Romeo cannot simply ignore them. It is possible to see Romeo and Juliet as a battle between the responsibilities and actions demanded by social institutions and those demanded by the private desires of the individual. But the lovers cannot stop the night from becoming day.
And Romeo cannot cease being a Montague simply because he wants to; the rest of the world will not let him. This sense of fate permeates the play, and not just for the audience. The characters also are quite aware of it: Romeo and Juliet constantly see omens.
The concept of fate described above is the most commonly accepted interpretation. However, the play tends to focus more on the barriers that obstruct love than it does on love itself. But the lovers are also their own obstacles, in the sense that they have divergent understandings of love.
Although the language he uses with Juliet showcases a more mature and original verse, he retains a fundamentally abstract conception of love. Juliet, by contrast, tends to remain more firmly grounded in the practical matters related to love, such as marriage and sex. This contrast between the lovers appears clearly in the famous balcony scene. Wherefore art thou Romeo? Another obstacle in Romeo and Juliet is time—or, more precisely, timing. Everything related to love in this play moves too quickly.
The theme of accelerated love first appears early in the play, regarding the question of whether Juliet is old enough for marriage. Forced to act quickly in response, Juliet fakes her own death. Not only do they fall in love at first sight, but they also get married the next day. Do they truly love each other, or have they doomed themselves out of mere sexual desire?
In fact, he arrives too early, just before Juliet wakes up. His bad timing results in both their deaths. The themes of love and sex are closely linked in Romeo and Juliet , though the precise nature of their relationship remains in dispute throughout. For instance, in Act I Romeo talks about his frustrated love for Rosaline in poetic terms, as if love were primarily an abstraction.
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